Helena Sanderson currently lives in Cumbria.
In 2015 she gained a first-class honours degree in Humanities with Creative Writing and Art History from the Open University, and graduated at Ely Cathedral in June 2016.
She is now undertaking a two-year Masters degree in History, again with the Open University.
In May 2017 she was awarded postgraduate funding from the Open University’s Crowther Fund to study aspects of the Industrial Revolution in the Scottish Borders. The funding is in the form of travel costs, accommodation expenses, and tuition fees to take letterpress workshops at Robert Smail’s Printworks in Innerleithen.
Her academic interests include what effects the Industrial Revolution had on small scale farming, particularly with regard to the Rossendale valley region of Lancashire. This question forms the hypothesis for her Masters’ dissertation.
Helena’s creative work spans several disciplines. A major interest is the lives of textile workers in nineteenth-century Lancashire, reflected in her cross-genre project, Spinning Jenny. Whilst studying Herbal Medicine under the tutelage of Dr Midge Whitelegg, she developed an enthusiasm for Goethian science and uses this intimate, direct means of relating to the natural world in her poetry. She is also keen to explore the pre-industrial heritage of her Cornish cordwainer ancestors.
Her poetry has been placed with Pushing Out the Boat, The Stare’s Nest, StAnza Poetry Map of Scotland and Word Bohemia.
Her influences include Autumn Richardson, John Clare, Kathleen Jamie, Richard Long, Annie Lee, Derek Tangye, Pauline Burbidge, Ken Cockburn, Daphne du Maurier, Alec Finlay, Virginia Woolf, Grayson Perry and Barbara Hepworth.